An Alliance with a Long Reach

Pasadena Art Alliance’s biennial auction turns donated work into grants for dozens of local institutions
By EDDIE RIVERA
Published on May 4, 2026

At The Pit in Atwater Village, the Pasadena Art Alliance’s biennial auction read less like a benefit and more like a tightly packed survey of contemporary practice—painting, sculpture, fiber, and assemblage, all donated, all for sale, all in service of something beyond the room.

“This is all donated art from local artists,” said Gina Knox, the Art Alliance’s vice president. “And we raise money to support contemporary art throughout Los Angeles. So this is our one Fundraiser.”

The structure is simple and, for the Art Alliance, essential. The group holds one major fundraiser to support its grants, distributing roughly thirty awards each year to arts organizations across Greater Los Angeles, most of them in Pasadena and the San Gabriel Valley.

“We have one fundraiser in order to earn enough money to fund our grants, which is what our mission is,” said president Laura O’Connor. “And we give it all away.”

The auction, held every other year, is typically the largest of those efforts. This year’s event included work from roughly eighty artists, Knox said, with contributions spanning multiple media but centered on contemporary work.

For the artists, participation is both practical and personal. Many return regularly, part of what O’Connor described as a reciprocal relationship built over time. “They all are so enthusiastic and so generous,” she said.

That generosity carried particular weight this year. Several artists had been affected by the Eaton Fire in Altadena. The Alliance told them they were not expected to donate. “Many of them said, ‘No, we still want to donate,’” O’Connor said.

Inside the gallery, those experiences surfaced in quieter ways—through materials, subject matter, and conversation. Artist Sarah Lejeune described returning to the Santa Monica Mountains after a fire and documenting the slow recovery. “Everything was black,” she said of her first visit back. Over time, she began photographing the regrowth, including fields of plants that appeared in greater numbers than before. “It was really, really amazing,” she said, describing the process that led to a large-scale painting based on those observations.

Another artist, Jaime Scholnick, spoke about working with found materials—objects left behind in a former furniture manufacturing space where she maintains a studio. “They were throwing them out,” she said. “I love to use material that’s in my… environment.” Her practice now includes sculptural work and fabric-based pieces, some of which will appear in an upcoming exhibition.

Scholnick also pointed to the long-term impact of public art commissions, including a 400-foot installation at the Expo/Crenshaw station. “It changed my life,” she said. “Since then, I’ve gotten two other commissions that are big.”

For others, the Art Alliance represents a model as much as a marketplace. One artist and consultant who has worked on public art projects with agencies like Metro said she often cites the group as an example of how to connect artists and communities effectively. It is, she said, “a really great organization” for bringing a community sensibility to contemporary art.

The evening itself moved without a fixed target. “We don’t really know,” Knox said when asked about a fundraising goal.

Instead, the measure comes later, when the proceeds are distributed. For now, the exchange is immediate: artists contribute work, collectors respond, and an all-volunteer organization translates that activity into support for dozens of arts institutions across the region.